The Interdisciplinary Resource  
  Subscribe
Login
 
 
     
Search  
Sort by:
Results Listed:
Date Range:
  Advanced Search
 
The World & I eLibrary

Teacher's Corner

World Gallery

Global Culture Studies (at homepage)

 
 
Social Studies

Language Arts

Science


The Arts

Spanish
 
 
Crossword Puzzle
 
 
American Indian Heritage
American Waves
Biographies
Ceremonies/Festivities
Diversity in America
Eye on the High Court
Fathers of Faith
Footsteps of Lincoln
Genes & Biotechnology
Impacts
Media in Review
Millennial Moments
Peoples of the World
Poetry
Point/Counterpoint
Profiles in Character
Science and Spirituality
Shedding Light on Islam
Speech & Debate
The Civil War
The U.S. Constitution
Traveling the Globe
Worldwide Folktales
World of Nature
Writers & Writing

 

Seven Falls, Eight Rises: A Thematic History of an Enigmatic People


Article # : 10687 

Section : CULTURE
Issue Date : 1 / 1986  4,359 Words
Author : H. Neill McFarland

       Among the nations of East Asia, Japan most consistently holds the attention of the West, but remains a perennial enigma. The character of the Western view of Japan clearly reflects puzzlement. It is a mixture of widely varied moods and attitudes: respect, consternation, admiration, envy, amazement, fear, resentment.
       
        On two points, however, there is considerable unanimity: first, the West is impressed by the rapidity and magnitude of Japan's economic recovery and expansion; second, persons who once condescendingly regarded the Japanese as only skillful copiers now study Japanese management and production techniques as potential models for reviving their own stagnant, non competitive industries.
       
        Numerous books, articles, lectures, and seminars are being devoted to understanding the forms and formulas of Japan's success. Persons from the West seeking to visit industrial establishments in Japan have become so numerous that they cannot all be accommodated.
       
        As a result of such intensive inquiry nearly every interested person in the West now knows that Japanese society and its institutions are paternalistic, that decisions are made more often by consensus than by individual fiat, and that a concern for long-range viability generally outweighs an interest in short-range profitability. However, there still remains the problem of finding in these circumstances models that are transculturally transmissible.
       
        Behind the forms and formulas of Japanese enterprise lie subtle and spiritual factors that are difficult to identify and understand and may be impossible to adopt. Expanding and diversifying the fringe benefits of the workers in an American industry could be a laudable move, which might very well also result in improved quality and productivity, but it would represent only superficially the transmittal of a Japanese model.
       
        Recently an American automobile executive was engaged by a Japanese company to manage certain of its operations in the United States. In addition to receiving instructions in Japanese management technique, he has begun to study the Japanese language and to build a Japanese -style landscape garden. His instincts are right and his efforts will pay off, but to what extent can he hope ever really to discover and appropriate the motivations, the soul, the spirit of the Japanese?
       
        That such intangible factors exist seems self evident. How else is one to account for the massive enigma that makes Japan perennially so fascinating to the West? Among both Japanese and non-Japanese there has arisen a notion that ultimately, Japanese culture is inscrutable. Many Japanese cherish this notion as a fact; many non-Japanese respect it as a distinct possibility.
       
        An examination of some of the more visible signs of the spirit of Japan might yield insights into how that spirit underlies the phenomenal achievements of Japan in the contemporary world. We shall begin with a toy.
       
        An ubiquitous item in Japan is a caricature of the Zen Buddhist patriarch Bodhidharma (known in Japan as Daruma) in the form of a roly-poly doll which, when knocked over, always returns to an upright position. Called okiagari koboshi, "little self-righting monk,"
... Read Full Article
Terms of Use | Privacy Policy

Copyright © 2008 The World & I Online. All rights reserved.